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Yosai Nobukazu
Yosai Nobukazu
The First Army Besieges Fengtianfu in Snow (Daiichi gun setchu Hotenfu yaburu)
Yosai Nobukazu
Japans Great Victory in the Conquest of Pyongyang (Nihon dai shori Heijo o yaburu zu)
Yosai Nobukazu
Illustration of the Meeting with Taewongun at the Korean Royal Palace (Chosen ojo Tai-in-kun sanden no zu)
Yosai Nobukazu
The Phoenix Carriage Leaving Nishi-no-maru of the Imperial Palace to Attend a Military Review at Aoyama (Nishinomaru kokyo yori Aoyama kanpeishiki hoosha miyuki no zu)
Yosai Nobukazu
Beauties Playing Chinese Music While Viewing Snow (Kajin yukimi no shingaku)
Yosai Nobukazu
Illustration of a Celebratory Banquet held in Honor of Dignitaries (Kiken shukuen haiga no zu)
Yosai Nobukazu
The Second Divisional Commander Lieutenant General Sakuma Attacking and Taking Occupation of Eijofu (Dai ni shidan cho Sakuma chusho Eijofu kogeki soshite senryo no zu)
Yosai Nobukazu
The Sino-Japanese War: Our Armys Occupation of Fengtianfu (Nisshin senso Hotenfu wagagun senryo no zu)
Yosai Nobukazu
Twenty-Third Year of Meiji: the National Diet Building (Meiji nijusan-nen Kokkai gijido no zu)
Yosai Nobukazu
Flight of the Chinese Army: Capturing Weapons (Shingun haiso gunki bundori no zu)
Nobukazu Yosai (Yosai Nobukazu, 1872)-Showa 19 (1944) is an ukiyo-e artist from the Meiji era.
A student of Toyohara Chikanobu. His surname is Watanabe, later Shimada, and his first name is Jiro. It is called Yangsai. I lived in Morikawa-cho, Hongo, Tokyo. The drawing period is from around 1887 (Meiji 20) to around 1907 (Meiji 40), and he mainly draws nishiki-e paintings of war objects such as the Sino-Japanese War and the Russo-Japanese War. In addition, he has also worked on beauty paintings, genre paintings, expositions, the Constitution, Diet relations, and a series of "Tokyo Famous Places". Representative works include "Army and Navy Large Exercise Map", "General Staff Headquarters Conference Map", "Generalissimo Shimbashi's Departure Map", and "Dainippon Diet Building Map" and "Tokyo Famous Place Ueno Park". He also draws a series of three pieces such as "Kage". He also painted lithographs in the 20s of the Meiji era, and in his later years he drew handwriting. Year of enjoyment 73.