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Ichirakutei Eisui
Ichirakutei Eisui
Somenosuke of the Matsubaya kamuro Wakagi and Wakaba from the series Beauties for the Five Festivals (Bijin gosekku)
Ichirakutei Eisui
Tsukasa of the Ogiya kamuro Ageha and Kocho from the series Beauties for the Five Festivals (Bijin gosekku)
Ichirakutei Eisui
Hanaogi of the Ogiya from an untitled series of large heads of courtesans
Ichirakutei Eisui
Segawa of the Matsubaya from an untitled series of large heads of courtesans
Ichirakutei Eisui
Komurasaki of the Tamaya kamuro Kikino and Haruji from the series Beauties for the Five Festivals (Bijin gosekku)
Ichirakutei Eisui
Mitsuhama of the Hyogoya from an untitled series of large heads of courtesans
Ichirakutei Eisui
Takigawa (representing the god Jurojin) from the series Seven Lucky Gods (Shichifukujin tsuzuki)
Ichirakutei Eisui
Tsukasa of the Ogiya kamuro Ageha and Kocho from the series Beauties for the Five Festivals (Bijin gosekku)
Ichirakutei Eisui
Woman Performing the Manzai Dance
Ichirakutei Eisui
Somenosuke of the Matsubaya kamuro Wakagi and Wakaba from the series Beauties for the Five Festivals (Bijin gosekku)
Eisui Ichirakutei (birth and death unknown) was an ukiyo-e artist from the Edo period.
A master of Eishi Toribunsai. Also called Ichirakusai. First and last name unknown. From Kansei (1789-1801) to Kyowa (1801-1804), he left behind more than 50 Nishiki-e works. Compared to Chokosai Eimasa of the same gate, Eisui has a longer activity period. Most of them are beautiful Okubi-e, which are characterized by a gentle expression. Also, when you look at the faces of the prostitute Takikawa and "Matsubaya Uchisomenosuke" depicted in "Bijin Gosekku Ogiuchi Sakaki Wakaha", the depiction of the thick and black eyebrows is very impressive. .. The style of painting is not so much the style of Eino, but the style of Utamaro in his later years. In Nishiki-e, the collection "Bijin Gosekku" and "Bijin Gojo Ruri Kagami" series are known, and "Hyogo and Uchitsukioka" are important art objects. In addition, one volume of the fashionable book "Color Lecture" published in the first year of Kyowa, one volume of the fashionable book "Yaro no Tamago" published in the same year, and one volume of the fashionable book "Ebira no Ume" published in the same year. In addition to the two volumes and five volumes of the yellow cover "Abegawa Onna no Adauchi" published in Kyowa 3 (1803), Kyoka books and some hand-drawn ukiyo-e beauty paintings are also known. The authors of the fashionable books and Kibyoshi mentioned above were all Jippensha Ikku.